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・ Psychology
・ Psychology (album)
・ Psychology (short story)
・ Psychology and Aging
・ Psychology and Alchemy
・ Psychology from an Empirical Standpoint
・ Psychology in medieval Islam
・ Psychology in Russia (journal)
・ Psychology in the Schools
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・ Psychology of Addictive Behaviors
・ Psychology of Aesthetics, Creativity, and the Arts
・ Psychology of art
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Psychology of dance
・ Psychology of disenfranchisement
・ Psychology of education
・ Psychology of film
・ Psychology of learning
・ Psychology of Men and Masculinity
・ Psychology of Music (journal)
・ Psychology of music preference
・ Psychology of Popular Media Culture
・ Psychology of previous investment
・ Psychology of programming
・ Psychology of reasoning
・ Psychology of religion
・ Psychology of Religion and Coping (book)
・ Psychology of Religion and Dreams


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Psychology of dance : ウィキペディア英語版
Psychology of dance
The psychology of dance is the set of mental states associated with dancing and watching others dance. The term names the interdisciplinary academic field that studies those who do. Areas of research include interventions to increase health for older adults, programs for stimulating children’s creativity, dance movement therapy, mate selection and emotional responses.
== Audience perception ==

Continuous response data provide choreographers information about audiences' perception of their dance material. Matches and mismatches between the choreographer's intention and the audience's response were found by continuously judging the emotions expressed when audience members watched Sue Haeley's ''Fine Line Terrain''. Key moments and intended structural changes described by the choreographer were mapped onto the continuous response data to compare the choreographer's intent and the audience's perception.
Surface features of dance contribute to audience arousal. Audience members continuously indicated their arousal and valence while viewing the Quantum Leap Youth Choreographic Ensemble's ''Landscape: time, place, and identity'' by continuously judging valence and emotion portrayed by the dance. Researchers compared this to choreographic notes about emotions expressed during the piece and found that arousal was related to changes in music and dancer activity.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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